Robert Pollard “Dancing Girls and Dancing Men” (from From A Compound Eye 2006)
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Robert Pollard “Dancing Girls and Dancing Men” (from From A Compound Eye 2006)
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Patty Lace and the Petticoats “Sneaky Sue” (from the Sneaky Sue/The Back 7” 1963)
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A Feldman-Goldstein-Gottehrer production.
Frijid Pink “God Gave Me You”(from Frijid Pink 1970)
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The Bad News Bears (1976) - production designer
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The Last Picture Show (1971) - production designer, costume designer
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Paper Moon (1973) - production designer, costume designer
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Say Anything (1989) - producer, actress
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Bottle Rocket (1996) - producer
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Targets (1968) - production designer, costume designer, story
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Thieves Like Us (1974) - costume designer
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The Wild Angels (1966) - story, costume designer
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Pretty Baby (1978) - story, screenplay, producer
And tickets are going fast! We will only be allowing in as many people as there are chairs, and those are some limited chairs. Some tickets still available at Casa del Popolo, and here in the Librairie.
Morrissey, on stage in Warsaw, before playing “Meat Is Murder”.
I really wish someone would finally sing this asshole to sleep.
(via blownspeakers)
People are so easily outraged. Get used to it, people are ridiculous and so they say ridiculous things like this all the time. If something like this surprises you, especially given the man’s history, then you must walk around a permanent o-face.
The Smiths “Death of a Disco Dancer” (from Strangeways, Here We Come 1987)
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Frankie Valli & The Four Seasons “You’re The Song (That I Can’t Sing)” from Our Lives Are Shaped By What We Love: Motown’s Mowest Story 1971-1973)
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This compilation has been soundtracking my summer, this summer.
what followed – perhaps due to the starkness of contrast with the film before it – was nothing less than a re-affirmation of the glory of cinema: real, 35mm colour film. often lost amongst the raging bulls and taxi drivers of martin scorsese’s intimidatingly impressive canon, 1982’s the king of comedy (one of 10 retrospectives drawn from 60 years of the festival’s archives) is no less absolute a masterpiece: proof of the fucking dynamite scorsese was in his first decade of directing, and well worthy of shelfspace next to goodfellas in your collection.
One of my favorite films. Top 20 for sure.
Roxy Music “Manifesto” (from Manifesto 1979)
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