November 2009
105 posts
Thee Oh Sees “The River Rushes (To Screw MD Over)” (from Dog Poison 2009)
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- Andrew Keller (Executive Creative Director, Crispin Porter + Bogusky) (via ihavegoodtaste)
You know why this isn’t true, because everyone has different reasons for doing things. Am I going to be critical of a friend’s painting or music because it’s not great even when their reason for painting or making music is simply cathartic? Obviously not. This statement is bullshit unless it is directed only at those working in advertising (in which case it’s totally true!), because it certainly shouldn’t exist as a truth as far as friendships go.
(via cameronr)
Totally agree with Cam. Maybe if your friend is showing you something they’ve made and are asking for your critique because they dream of being great at what they do and want to figure out what they need to work on, then yeah. In that case it would be unfair to say something is really great when it really needs work. In that case you should constructively suggest how hey might develop certain strengths or reconsider certain weaknesses. But if someone is just enjoying themselves and haven’t asked for criticism, then it’s bullshit to tell them they suck. And really, I’d have to wonder about the motivations of a person who goes around subjecting people to unsolicited criticism.
(via circumpolarnavigation)
Totally agree with the original statement…
…but wait, are you guys just referring to unsolicited criticism? And why were friends brought into this?
Experience tells me that people who have a history of constantly hyping work by their friends have compromised opinions that I simply can’t trust.
What makes an opinion important? I’d say integrity, honesty and open-mindedness.
A few years back, after a friend’s band’s show, a mutual acquaintance rushed up and told them that one of their songs was in his top three of songs of all time. Really? Top three? What song did that bump to fourth? “I’m Waiting For The Man”? How could you take that person seriously?
Of course, I’m not suggesting we tell our friends they suck, or even suggesting that offering unsolicited criticism is a good thing, but really, if an opinion is really only an opinion…why not make an honest one?
Jeanne Marie Sens “Tape Tape Tape” (from Dirty French Psychedelics 2009)
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Great song.
The Poppy Family “Free From The City” (from Which Way You Goin Billy? 1969)
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All of a sudden today, I remembered how fantastic the Poppy Family were.
My favorite Vancouver group.
featuring Von Bingen & Solars!
you really need this one:
King Midas Sound - Sometimes (Waiting For You/Hyperdub)
Lovejoys - All I Can Say (Reggae Vibes/Wackies)
15/16/17 - The Weather (Magic Touch/DEB)
Burial - Night Bus (Burial/Hyperdub)
Little Dragon - Twice (Little Dragon/Peacefrog)
The Dynamics - 90% of me is you (Version Excursions/Points South)
Tanya Stephens - It’s A Pity (Gangsta Blues/VP)
Jacob Miller - Baby I Love You So (Who Say Jah No Dread/Greensleeves)
Gregory Isaacs - I’m Alright (Cool Down/VP)
Wayne Jarrett - Live&Love (Horace Andy Meets Naggo Morris & Wayne Jarrett/Wackies)
Sade - Lovers Rock (Lovers Rock/Epic)
Rhythm & Sound ft Lovejoy - Best Friend (With the Artists/Burial Mix)
Larry Heard - Missing dub (Theo Parrish remix) (Missing You/Track Mode)
Vincent Gallo - Lonely (When/Warp)
A.R.Kane - Madonna is with child (69/Rough Trade)
Scritti Politti - Sweetest Girl (/Rough Trade)
Lloyd Chambers - Dry Your Tears (Firehouse Revolution/Pressure Sounds)
King Midas Sound - i Dub (Dub Heavy/Hyperdub)
Scientist ft Johnny Osbourne - In Your Eyes (Wins The World Cup/Greensleeves)
King Midas Sound - Outtaspace (Slow Motion mix) (Waiting For You/Hyperdub)
Japan - Ghosts (Tin Drum/Virgin)
Kevin Shields - Ikebana (Lost In Translation s/t/Emperor norton)
King Midas Sound - One Ting (Dabrye remix) (Cool Out/Hyperdub)
Oval - Do While (94diskont/Mille Plateaux)
Thomas Koner - Kanon (Isolationism/Virgin)
My Bloody Valentine - Touched (Loveless/creation)Daaaaaamn, son. This is perfect.
This looks good. I’ll listen later.
The Sparkles ~ No Friend of Mine (2:22 ~ 1966) One of the loudest, rawest, and meanest garage tracks ever.
The Sparkles (from Texas) appear to have began recording in the early sixties, if not sooner. Their first record was recorded in a garage studio in Clovis, New Mexico and released on Caron Records. It was about a dance step, called ‘The UT.’ During this same period they seemed to have several other small-label releases that also went nowhere. In about 1965 Larry Parks, a Nashville producer with Texas connections, offered to record The Sparkles if they would sign with Hickory Records. They appeared to have agreed and recorded four singles for this national label. These recording sessions were held at the Acuff-Rose Studio in Nashville or possibly a studio that was affiliated with Acuff-Rose Publishing. This would have been in c.1965-1966. Out of these sessions came ‘No Friend of Mine,’ ‘Hipsville 29 BC ’ and ‘First Forget (What Has Made You Blue’). via 60sgaragebands.com
two new Mississippi releases:
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